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Philosophy
The
photographs you see here were created in the field.
The ingredients are sun, earth, air, water, cellulose,
sweat, and a small amount of serendipity. If mixed right,
the character and personality of the subject is reflected
in the temperament of the portrait; be it beautiful,
intriguing, mysterious, simple, awesome, or relaxing.
The creative process is the kiln that bakes the multitude
of items I employ to assist in bringing these moments
of nature to the viewer.
Equipment
All
images were made using 35mm cameras and lenses; and
were taken with particular care toward detail, both
in the composition and in the technique. The cellulose
used are slow speed positive (slide) films. They are
fine grained and saturated films, which exhibit amazing
depth, brilliance, and the ability to hold sharp detail
in large blow-ups of the original 35mm film. Furthermore,
nearly every image you see here was taken with the camera
mounted securely on a tripod. While making the photographic
process much more cumbersome, the tripod is -nevertheless-
an essential tool in maintaining the quality of the
final picture.
Technique
I
customarily spend 30 minutes to an hour on one composition
in order to scope out the perfect angle, technique and
approach; or simply in waiting for the right light to
arrive. These are the wonderful moments spent creating.
Other time is spent in hours or even days (and sometimes
weeks) in preparation: searching for the right subject,
mood and conditions. This is the cherished time spent
observing and studying nature.
Results
Because of this attention to detail, many of my images
have been published in books and magazines. I've also
received many regional and national awards. Other images
have been sold as limited edition prints to private
and corporate collectors, including to my home state
of Wisconsin.
Prints
are made using Fujichrome®, or Ilfochrome® processes.
These slide printing processes are the most expensive,
but produce the most brilliant and long lasting prints
in the industry.
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